Douglas Sirk - Wikipedia. Douglas Sirk. Born. Hans Detlef Sierck(1. April 1. 89. 7Hamburg, German Empire. Died. 14 January 1. Lugano, Ticino, Switzerland.
1936 en otros calendarios; Calendario gregoriano: 1936 MCMXXXVI: Ab urbe condita: 2689: Calendario armenio: 1385: Calendario chino: 4632-4633: Calendario hebreo. Published compositions Compositions with opus number (with year of first publication by B.
Years active. 19. Douglas Sirk (born Hans Detlef Sierck; 2. April 1. 89. 7 . He spent a few years in Denmark as a child, before his parents returned to Germany and became citizens. Sirk discovered the theatre in his mid- teens, particularly Shakespeare.
In 1. 91. 9, he enrolled to study law at Munich University, but he left Munich following the violent collapse of a short- lived Bavarian Soviet Republic. Between stints at university, he began writing for his father's newspaper, not long before his father became a school principal.
Douglas Sirk, Director: Imitation of Life. Film director Douglas Sirk, whose reputation blossomed in the generation after his 1959 retirement from Hollywood.
It was here that he attended a lecture on relativity given by Albert Einstein. A major influence in this period was art historian Erwin Panofsky - Sirk was a select member of Panofsky's seminar group for a semester and wrote a large essay for him on the relationship between Medieval German painting, and the mystery plays; in his 1. Halliday, Sirk declared, . In 1. 92. 2, substituting for a director who had fallen sick, Sirk directed his first production, the Hermann Bossdorf play Bahnmeister Tod (.
The post proved to be a baptism of fire for the new director - although the company started out with classic works by Moli. Although Sirk later recalled the period as . This was during the period of runaway inflation in Germany, and Sirk remembered that after distributing money to the company, they would have to run to the bank with their takings just before midday, because at 1. Sirk joined UFA (Universum Film AG) studios in 1. April, April (1. 93.
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Dutch and then in German). His exotic melodramas. Zu neuen Ufern and La Habanera made a star of the Nazi cinema out of Swedish singer Zarah Leander. Career in the US. Still in Europe he worked on films in Switzerland and the Netherlands. On arrival in the United States, he soon changed his given, German name to Douglas Sirk. By 1. 94. 2 he was under contract to Columbia Pictures and directing the stridently anti- Nazi Hitler's Madman for the legendary producer of Nero Film, Seymour Nebenzal, for whom Sirk also directed Summer Storm (1.
Father of one son Klaus Detlef Sierck (1. March 3. 0, 1. 92. Berlin- Charlottenburg, Germany. He was an actor, known for Kopf hoch, Johannes! He died on March 6, 1. Novoaleksandrovka, Kirovograd Oblast, Ukrainian SSR, USSR (now Novooleksandrivka, Kirovohrad Oblast, Ukraine).
Sirk briefly returned to Germany after the War ended, but returned to the U. S. He died in Lugano, Switzerland, nearly thirty years later, with only a brief return behind the camera in Germany in the 1. Hochschule f. His films were considered unimportant (because they revolve around female and domestic issues), banal (because of their focus on larger- than- life feelings) and unrealistic (because of their conspicuous style). Later reception. As Jean- Luc Godard wrote in his review of A Time to Love and a Time to Die (1. From around 1. 97. Sirk's work - especially his American melodramas. The seminal work in this field was Jon Halliday's book- length interview, Sirk on Sirk (1.
Sirk as . In 1. 97. University of Connecticut Film Society programmed a complete retrospective of the director. The criticism of the 1.
Sirk's work, gradually changing from Marxist- inspired visions in the early 1. Sirk's reputation was also helped by a widespread nostalgia for old- fashioned Hollywood films in the 1. Film critic Roger Ebert has said, . Tarantino paid homage to Sirk and his melodramatic style in Pulp Fiction, when character Vincent Vega, at a '5. Godard on Godard: Critical Writings by Jean- Luc Godard. New York: Da Capo Press. Melodrama and Meaning: history, culture, and the films of Douglas Sirk.
Bloomington, IN: Indiana University Press.